Bernhard R. Works, Frederick A. Buerki Scenic Technology Award

Candidates for the Fredrick A. Buerki Scenic Technology Award “Golden Hammer” must cite examples of work that features the individual’s creative application of scene design, scenic technology, and/or technical direction in the performing arts. The successful entrant will demonstrate clear execution regarding artistic and technical choices, process, and product. 

 

 

 

Award winners will receive:

  • A complimentary full conference registration for the 2025 Annual Conference & Stage Expo
  • $1000 Cash Award
  • Commemorative Certificate
  • Invitation to an award luncheon, which includes a chance to meet other award winners as well as the award sponsor.

 
 
 

Nominees must be a graduate student, or a recent graduate (within the past two years).

Nominees must have a current student, early career, or individual membership at the time of submission.

An individual may self-nominate OR be nominated by faculty or another non-student professional who is a current USITT member.

Awards are open to all ages and recognize promising newcomers in each award area.

 
 
 
 

Award will be presented at the Annual Conference.

The 2025 Annual Conference will take place from March 5-8 in Columbus. Award Presentations are scheduled for Thursday, March 6 at 9 AM.

 
 
 
 

Nominations Open: September 3, 2024

Nominations Close: October 31, 2024 (11:59 PM EDT)

Review Period: November - December 2024

Award Notifications: January 2025

Award Presentation: March 6, 2025

 
   
 
 

The entry fee for each nomination is $25 (US Currency).

This fee must be paid by credit card by the nominee at the time of form submission.

All entry fees are non-refundable.

 
 
 
 

Read all guidelines carefully before submitting your application.

All applications must be submitted via the USITT Awards Portal to be considered.

Nominators must begin the nomination by filling out a brief nomination form. Nominees may self-nominate or be nominated by a faculty or professional. Nominator must be a current USITT member.

Upon receipt of a complete nomination form, USITT will email the nominee a link to complete their submission.

Required information:

  • Nominee Contact Information: Name, email address, mailing address
  • Nominee’s school attended or currently attending
  • Graduation date (or anticipated graduation date)

Submission Materials:

  • Resume (PDF Format)
  • Letter of recommendation from a faculty member.
    • The faculty member may include a design instructor, an instructor or supervisor in the shops, acting and history professors, department chairs and other faculty mentors.
    • Nominee will provide recommender’s name and email address. The recommender will receive instructions via email to upload their letter directly into the submission portal. Nominee will not be able to upload or view the letter.
  • Letter of Support
    • Letter of Support may come from fellow collaborators, directors, choreographers, production team members, faculty members, or other in the entertainment industry.
  • Personal Artistic Statement (Max. 300 words)
    • The personal artistic statement articulates who nominee is as a collaborative artist. What is their creative working philosophy? What is your approach to incorporating scenic technology in to productions?
  • Five (5) digital image plates.
    • A Plate refers to a single image or a collage of images, much like one page in a portfolio.
    • Maximum size and resolution is 18 x 24 inches, 300dpi, 20MB.
    • All plates must be in PDF format.
    • Event/play/piece title, scene and character clearly labeled with an appropriately sized and colored, easy-to-read, well-placed font.
    • Recommendation of three (3) realized shows across all submitted plates
      • There should be one (1) show/project per plate; however, multiple shows or projects may be placed on a single plate with proper organization.
      • One (1) production/project may be represented on multiple plates.
    • Consider a way to organize the plates so that the process is shown in a clear, concise, and thoughtful manner. Quality should be stressed over quantity.
    • Paperwork should be legible, labeled, and be examples that best reflect process.
    • All documentation should meet current industry best practices.
    • The plates should be organized to communicate the process of set piece creation, from research, designer’s drawings/renderings to finished set pieces within the production process. If designer created images are used, please indicate this clearly in the image label. Examples must be cited that demonstrate excellence in areas such as:
      • Construction
      • Rigging
      • Drafting
      • Engineering
      • Computer applications
      • Personnel management
      • Effective use of resources
      • .
      • Automation
      • Innovative construction techniques
      • Scene painting
      • Properties design and construction
      • Research & Development
      • Special effects
      • Stage engineering
  • Statement of Collaboration for each realized production. (Max 600 words per show)
    • Statement of collaboration articulates the collaborative process within the production team and shop, research and development, communication with the run crew and others in the team and the ability to work within the parameters of the production as whole.
    • May include but is not limited to:
      • Explaining the collaboration process with the scenic designer and supervision of shop staff, actor and/or director interaction, and with others of the production and design team, including run crew.
      • Synopsis of the overriding themes, motifs, or elements as presented by the scenic designer.
      • Explaining the research and development process undertaken by the technical director, and analysis/usage of other materials to further the prototyping and creation of the production pieces.
  • Secondary Support Materials
    • An additional three (3) plates of material may be submitted for a maximum of eight (8) plates total.
    • May include projects, from other areas of production technology, entertainment technology or machining.
    • This work may be produced or classroom projects, realized or conceptual, and should showcase the range of the applicant.
     
       
 
 

All USITT award nominees are required to submit a Professional Conduct Disclosure Form. This form will not be visible to the award jury and will only be reviewed by the USITT Ethics Officer.

This form is part of the submission and your submission will not be considered complete if it has not been submitted.

For more information, please review the USITT Honors and Awards Policy.

 
   
 
 

All nominations for the Young Designers’, Managers’, and Technicians’ Award will be reviewed by selected members of the USITT Commissions.

No current USITT staff member may serve as a juror. Any reviewer with a conflict of interest is required to recuse themselves.

All submissions will be scored on a scale of 1-10 using the following criteria:

  • Illustration and explanation of process: research through development, development to drafting, construction to completed set piece.
  • Content and organization of plates and photographs (image size & quantity, labeling, legibility, and clarity)
  • Demonstration of complex problem solving, rigging, automation, or construction ideas
  • Adherence to the submission guidelines: plate size, format, and parameters. Submissions not adhering to the format listed will be considered ineligible.
  • Written materials: clarity, articulation, and thoughtfulness

Judging process is overseen by the USITT Awards Committee and results are approved by the Board of Directors.

 
   
 
 

Nominees will be notified of the outcome of their requests via email after the Board of Directors has approved the results.

Award winners will be required to submit additional information via the submissions portal, including a W9 form and RSVP to any Conference events. Failure to submit this information promptly may delay award processing.

USITT will publicize award winners utilizing official channels including (but not limited to): website, social media, weekly newsletter, Technically Speaking podcast. Winners may be contacted for additional information for publicity .